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Submissions from 2023

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Cosmic Conversion and Timon’s Block, Jean Feerick

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Matter, nature, cosmos: The scientific art of the early modern English stage, Jean Feerick

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This course uses ‘climate fiction’ to teach about the perils that a warming planet faces, Debra J. Rosenthal

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To better understand addiction, students in this course take a close look at liquor in literature, Debra J. Rosenthal

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What can board games teach students about climate change?, Debra J. Rosenthal

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CLI-FI AND CLASS Socioeconomic Justice in Contemporary American Climate Fiction, Debra J. Rosenthal and Jason de Lara Molesky

Submissions from 2022

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Central Air, George Bilgere

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Central Air: Poems, George Bilgere

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Race, Environment, Culture: Custome into Nature' in the Early Modern Atlantic World, Jean Feerick

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Dawn Prayer, Philip Metres

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February Prayer, Philip Metres

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The Moskva Pool (essay), Philip Metres

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The Trees in My Chest, Philip Metres

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Retrofitting American Studies for the Climate Crisis Era, Debra J. Rosenthal and Jacob Molesky

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Retrofitting American Studies for the Climate Crisis Eradrosen, Debra J. Rosenthal and Jason Molesky

Submissions from 2021

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The Story/History of Japan: Producing Knowledge by Integrating the Study of Japanese Literature and Japanese History, Peter Kvidera

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Dusk Prelude, Philip Metres

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Never Describe the Sky as Azure, Philip Metres

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Plague Psalm 40, Philip Metres

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Plague Psalm 90, Philip Metres

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Remorse for Temperate Speech, Philip Metres

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The Prodigal Sons of Russia, Philip Metres

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We Are All God's Poems, Philip Metres

Submissions from 2020

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Shrapnel Maps, Philip J. Metres

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Erasmus in the Professional Writing Classroom: Workplace Genre, Designing and Writing for the Web, and the Future of Style, Tom Pace

Submissions from 2019

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Shakespeare and Posthumanist Theory, Jean Feerick

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Returning to Jaffa, Philip J. Metres

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Climate-Change Fiction and Poverty Studies: Kingsolver’s Flight Behavior, Diaz’s “Monstro,” and Bacigalupi’s “The Tamarisk Hunter”, Debra J. Rosenthal

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Words, Pictures, and the “Nonlistening Space”: Visual Design and Popular Music as Forms of Performance in First-Year Writing, Maria Lynn Soriano

Submissions from 2018

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Blood Pages, George Bilgere

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A Man's Concussion Helps Him Find Himself, Philip J. Metres

“And From Thy Face I Shall Be Hid" and "Clues in the Wreckage.", Philip J. Metres

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"City of Love", Philip J. Metres

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Dispatches from the Land of Erasure, Philip J. Metres

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Dispatch from the Land of Erasure (I), Philip J. Metres

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from Shrapnel Maps, Philip J. Metres

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“Homing In: The Place of Poetry in the Global Digital Age.”, Philip J. Metres

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Imagining Iraq, Philip J. Metres

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"Isdoud", "Checkpoint", Philip J. Metres

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“Kissing Joe F—,”, Philip J. Metres

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“Mappemonde,” “Leaf,”, Philip J. Metres

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"On tumbling women.....", Philip J. Metres

Questions after Bassano’s ‘Lazarus and the Rich Man, Philip J. Metres

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Same as it ever was: Edward Said’s Orientalism, Forty Years Later, Philip J. Metres

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Shrapnel Map (I don't know), Undressed and Bedless, Philip J. Metres

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"The Dacha at Tuchkovo: Two Fictions", Philip J. Metres

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The House at Long Lake, Philip J. Metres

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Food for Thought: Writing about Culinary Traditions and the Integration of Personal and Academic Writing, Tom Pace

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Staging Uncle Tom's Cabin in Tehran, Debra J. Rosenthal

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Rural Space as Queer Space: A Queer-Ecology Reading of Fun Home, Debra J. Rosenthal and Lydia Munnell

Submissions from 2017

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Poetic Science: Wonder and the Seas of Cognition in Bacon and Pericles, Jean Feerick

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Race and Colonization, Jean Feerick

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Shakespeare and classical cosmology, Jean Feerick

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American Poetry, Philip J. Metres

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American Poetry, Philip J. Metres

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Compline, Philip J. Metres

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Dasha's Perfume, Philip J. Metres

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Farther and Farther in Sokolniki, Philip J. Metres

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For Hebron Means Friend, Philip J. Metres

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For Leila Means Night, Philip J. Metres

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Fugitive, Philip J. Metres

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Having Swigged, Philip J. Metres

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I Am A Human Jukebox: An Interview with Robert Pollard of Guided by Voices, Philip J. Metres

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Is This History, Philip J. Metres

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Matryoshka Memory, Philip J. Metres

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My brain is like a millstone, Philip J. Metres

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My Life with 'Barge Haulers on the Volga', Philip J. Metres

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Ode To Her Belly, Philip J. Metres

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Poetry and Power (To Create a Space Where Being Together Happens), Philip J. Metres

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Prison Parcel Office, Philip J. Metres

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Singing in the darkness: On Russia, Suffering, and Poetry, Philip J. Metres

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Spring Limbs, Philip J. Metres

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Testimony, Philip J. Metres

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The Bomber's Mother, Philip J. Metres

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The Bullet, Philip J. Metres

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The High Rise on Desolation Row, Philip J. Metres

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The Paperless 'Palestinian' and the Russian P'liceman, Philip J. Metres

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“The Things They Carried That We Carry,” and from “Hung Lyres”, Philip J. Metres

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This is Autumn, My Friend, Philip J. Metres

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Walking on Streets That No Longer Exist Talking About Poetry with Ilya Kaminsky, Philip J. Metres

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We Have Nothing, Philip J. Metres

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Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture, Tom Pace

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Pulling Strings: The Transatlantic Influence of Marionettes on American Women Writers, Debra J. Rosenthal

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The Complete Prose of T. S. Eliot: The Critical Edition. Vol. V: Tradition and Orthodoxy, 1934-1939., Jayme Stayer

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The Short and Surprisingly Private Life of King Bolo: Eliot’s Bawdy Poems and Their Audiences, Jayme Stayer

Submissions from 2016

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The Imperial Graft: Horticulture, Hybridity, and the Art of Mingling Races in Henry V and Cymbeline, Jean Feerick

Submissions from 2015

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Performatively Speaking: Speech Acts in 19th Century American Fiction

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“Rude Uncivill Blood”: The Pastoral Challenge to Hereditary Race in Fletcher and Milton, Jean Feerick

Submissions from 2014

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The Sentimental Appeal to Salvific Paternity in Uncle Tom’s Cabin and Moby

Submissions from 2010

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"I've only to say the word!": Uncle Tom's Cabin and Performative Speech Theory

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Strangers in Blood: Relocating Race in the Renaissance, Jean Feerick

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Reluctant Cosmopolitanism in Dickens's Great Expectations, John S. McBratney

Submissions from 2009

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Review of Politics and Awe in Rudyard Kipling's Fiction, John S. McBratney

Submissions from 2006

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’Hoods and the Woods: Rap Music as Environmental Literature

Submissions from 2005

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Racial and Criminal Types: Indian Ethnography and Sir Arthur Conan Doyle's 'The Sign of Four', John S. McBratney

Submissions from 2004

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Race Mixture in Nineteenth Century U.S. and Spanish American Fictions: Gender, Culture, and Nation Building

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Review of The Dramatic Art of Athol Fugard: From South Africa to the World, Jeanne M. Colleran

Submissions from 2003

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Uncle Tom's Cabin

Submissions from 2002

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Floral Counterdiscourse: Miscegenation, Ecofeminism, and Hybridity in Lydia Maria Child's A Romance of the Republic

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Mixing Race, Mixing Culture: Inter-American Literary Dialogues