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Submissions from 2018

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A Mixed Place: The Pastoral Symposium of Horace, Kristen Ehrhardt

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BETWEEN CONTINUITY AND CHANGE: EARLY TWENTIETH-CENTURY GERMAN-LANGUAGE CRIME AND DETECTIVE NOVELS AND THE ‘FAMILIENKRIMI’, Julia Karolle-Berg

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Fahnderwachtmeister Jakob Studer, Julia Karolle-Berg

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On the Popularity of the Kriminalroman: The Reception, Production, and Consumption of German Crime and Detective Novels (1919–1933), Julia Karolle-Berg

Submissions from 2017

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The "Hair" Factor, Humanism, Neoplatonism, and the Empire Building in the Spanish Golden Age, Katherine Gatto

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VeizerVizerWiezerWieser: A Memoir and a Search: Granite City to Kompolt, Katherine Gatto

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Crime Fiction in German: Der Krimi, Julia Karolle-Berg

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Reimagining Nicaragua’s Volcanto Tradition through the Music of Perrozompopo, Megan Thornton

Submissions from 2016

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Negotiating Nicaraguan Identity in Costa Rica: The performance of Affect in Desde el barro al sur, Megan Thornton

Submissions from 2015

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The Case of the Missing Literary Tradition: Reassessing Four Assumptions of Crime and Detective Novels in the German-Speaking World (1900-1933), Julia Karolle-Berg

Submissions from 2013

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Epigraphs, Intersexuality, and Exile: Reading the Poetry of Zoe Valdes, Megan Thornton

Submissions from 2012

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Review of In the Light of the Angels: Angelology and Cosmology in Dante's Divina Commedia, Santa Casciani

Submissions from 2007

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Creating a Maidservant Community through Newspapers: The Berliner Dienstboten-Zeitung, 1898-1900, Julia Karolle-Berg

Submissions from 2003

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The 'Carajicomedia': The Erotic Use and Deconstruction of Idealist Language in the Spanish Renaissance, Antonio Pérez-Romero

Submissions from 1996

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Considering Moliere in Oyono-Mbia's 'Three Suitors, One Husband', Hélène Sanko