Submissions from 2024
Introdiction, Martha Pereszlenyi-Pinter
Submissions from 2023
The Serranillas (Mountain Songs) of the Libro de buen amor (The Book of Good Love) and Ecofeminism, Katherine Gatto
Review of Dem Anfang auf der Spur: Detektivisches Erzählen zwischen Literatur und Wissenschaft (1850-1926), Julia Karolle-Berg
Senior Honors Projects from 2022
“Social Justice Painted on the Wall”, Emily Fagan-Zirm
Barcelona on Screen: Todo sobre mi madre (1999), L'Auberge espagnole (2002), Vicky Cristina Barcelona (2008), Biutiful (2010), Katherine Gatto
Any Time, Any Place, Any Path, Any Pace:” A Curricular Design for the Teaching of Languages for Specific Purposes in the Pandemic Era and Beyond, Steven J. Sacco, Martha Pereszlenyi-Pinter, and Diana Ruggiero
Submissions from 2021
A Companion to Late Medieval and Early Modern Siena, Santa Casciani and Heather Richardson Hayton
Holding the Baby: A Parody of Euripides' Auge at Philyllius Fragment 4. Language: English, Gwendolyn Compton-Engle
Contemporary German Crime Fiction, Julia Karolle-Berg
Submissions from 2020
Male Stage-Nudity in Aristophanes, Gwendolyn Compton-Engle
The Case of the Forgotten Kriminalromane: Rediscovering Otto Soyka’s “Metaphysical Detective Stories”, Julia Karolle-Berg
Being Hungarian in Cleveland: Maintaining Language, Culture, and Traditions, Martha Pereszlenyi-Pinter
Submissions from 2019
Encyclopedia of Greek Comedy, Gwendolyn Compton-Engle
Submissions from 2018
A Mixed Place: The Pastoral Symposium of Horace, Kristen Ehrhardt
BETWEEN CONTINUITY AND CHANGE: EARLY TWENTIETH-CENTURY GERMAN-LANGUAGE CRIME AND DETECTIVE NOVELS AND THE ‘FAMILIENKRIMI’, Julia Karolle-Berg
Fahnderwachtmeister Jakob Studer, Julia Karolle-Berg
On the Popularity of the Kriminalroman: The Reception, Production, and Consumption of German Crime and Detective Novels (1919–1933), Julia Karolle-Berg
Submissions from 2017
The "Hair" Factor, Humanism, Neoplatonism, and the Empire Building in the Spanish Golden Age, Katherine Gatto
VeizerVizerWiezerWieser: A Memoir and a Search: Granite City to Kompolt, Katherine Gatto
REMEMBERING PUERTO RICAN IDENTITY: WHEN I WAS PUERTO RICAN, BY ESMERALDA SANTIAGO, AND FAMILY INSTALLMENTS: MEMORIES OF GROWING UP HISPANIC, BY EDWARD RIVERA, Evonne L. Johnson
Crime Fiction in German: Der Krimi, Julia Karolle-Berg
Reimagining Nicaragua’s Volcanto Tradition through the Music of Perrozompopo, Megan Thornton
Submissions from 2016
Negotiating Nicaraguan Identity in Costa Rica: The performance of Affect in Desde el barro al sur, Megan Thornton
Submissions from 2015
The Case of the Missing Literary Tradition: Reassessing Four Assumptions of Crime and Detective Novels in the German-Speaking World (1900-1933), Julia Karolle-Berg
Submissions from 2013
Epigraphs, Intersexuality, and Exile: Reading the Poetry of Zoe Valdes, Megan Thornton
Submissions from 2012
Review of In the Light of the Angels: Angelology and Cosmology in Dante's Divina Commedia, Santa Casciani
Submissions from 2007
Creating a Maidservant Community through Newspapers: The Berliner Dienstboten-Zeitung, 1898-1900, Julia Karolle-Berg
Submissions from 2003
The 'Carajicomedia': The Erotic Use and Deconstruction of Idealist Language in the Spanish Renaissance, Antonio Pérez-Romero
Submissions from 1996
Considering Moliere in Oyono-Mbia's 'Three Suitors, One Husband', Hélène Sanko
