Submissions from 2020
Embodiment and Devotion in the Très Riches Heures (or, the Possibilities of a Post-Theoretical Art History), Gerald B. Guest
Review of: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages., Gerald B. Guest
Submissions from 2019
The Routledge Companion to Medieval Iconography. Routledge Art History and Visual Studies Companions, Gerald B. Guest
Submissions from 2017
The Beautiful Lucifer as an Object of Aesthetic Contemplation in the Central Middle Ages, Gerald B. Guest
The Fall of the Rebel Angels: Penitence and Devotion in the Très Riches Heures, Gerald B. Guest
The Tree: Symbol, Allegory, and Mnemonic Device in Medieval Art and Thought, Gerald B. Guest
Submissions from 2014
Stained Glass and Liturgy: The Uses and Limits of an Analogy, Gerry Guest
Submissions from 2012
Space, Gerry Guest
Submissions from 2011
Illuminated Manuscripts as Machines, Gerry Guest
Submissions from 2008
Narrative Cartographies: Mapping the Sacred in Gothic Stained Glass, Gerry Guest
Structuring Old testament History in the Psalter of Louis IX, Gerry Guest
Submissions from 2006
The Prodigal's Journey: Ideologies of Self and City in the Gothic Cathedral, Gerry Guest
Submissions from 1995
Bible Moralisée: Vienna, Oesterreichische Nationalbibliothek, Codex Vindobonensis 2554, Gerry Guest