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Submissions from 2020

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Embodiment and Devotion in the Très Riches Heures (or, the Possibilities of a Post-Theoretical Art History), Gerald B. Guest

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Review of: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages., Gerald B. Guest

Submissions from 2019

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The Routledge Companion to Medieval Iconography. Routledge Art History and Visual Studies Companions, Gerald B. Guest

Submissions from 2017

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The Beautiful Lucifer as an Object of Aesthetic Contemplation in the Central Middle Ages, Gerald B. Guest

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The Fall of the Rebel Angels: Penitence and Devotion in the Très Riches Heures, Gerald B. Guest

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The Tree: Symbol, Allegory, and Mnemonic Device in Medieval Art and Thought, Gerald B. Guest

Submissions from 2014

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Stained Glass and Liturgy: The Uses and Limits of an Analogy, Gerry Guest

Submissions from 2012

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Space, Gerry Guest

Submissions from 2011

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Illuminated Manuscripts as Machines, Gerry Guest

Submissions from 2008

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Narrative Cartographies: Mapping the Sacred in Gothic Stained Glass, Gerry Guest

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Structuring Old testament History in the Psalter of Louis IX, Gerry Guest

Submissions from 2006

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The Prodigal's Journey: Ideologies of Self and City in the Gothic Cathedral, Gerry Guest

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Tributes to Jonathan J.G. Alexander: The Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture, Gerry Guest

Submissions from 1995

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Bible Moralisée: Vienna, Oesterreichische Nationalbibliothek, Codex Vindobonensis 2554, Gerry Guest